Cotton Sugar (2009, 16mm, 4min)

以電影膠片為媒材,我將編織和手工藝術的喜好和元素融入創作過程。我使用化妝棉「直接」包在已經沖洗好的黑白膠片上, 再使用各色染料浸濕。膠片透過化妝棉絮吸收了染料上色,而棉絮也跟著附著在膠片上。因此,膠片本身的感光乳劑 (emulsion) 和棉絮成了雙疊影像,互相交織出現。相反的色調, 正片和負片, 抽象以及可辨識的影像, 共同織出了影像中可以對話的極端元素。(此片為手工沖洗膠卷電影)

By working with film as a medium, I have discovered a way to implement my interest in weaving both concepts and materials; integrating different elements into one work. In this piece, I covered the film with cotton and tinted it with dyes. The textures of cotton adhered to the film create a new layer; the original emulsion and the added textures coexist, cover and uncover each other at the same time. The differentials of color tones, the positive and negative footage, and the alternations of abstract and recognizable imagery introduce a dialogue about the possibilities of opposite characters. (This is hand-processed film.)

žScreenings 放映紀錄:

ANIMA Sessions 阿尼瑪療程 - 回聲返照:落葉歸影|楊雨樵、丁啟佑 (聲音創作), 2020, 台灣

Mono X : Children on the edge of itchy-tectonics – Taiwanese New Experimental Films - 2016, USA 美國

Analogica Film Festival - 2015, Italy 義大利

・Glitch v. Scratch - 2011, USA 美國

Kuala Lumpur Experimental Film and Video Festival - 2010, Malaysia 馬來西亞
žCrossroads – San Francisco Cinematheque - 2010, USA 美國

Antimatter Film Festival - 2009, Canada 加拿大

・Alternative Visions Pacific Film Archive Bay Area Experimental Film Student - 2009, USA 美國

・Kodak Grant 柯達公司膠片補助計畫 , 2009 - 2010